Malvern Festival Chorus has announced an evening of "sacred music" that will reflect an array of cultures.

The compositions, all created in the 20th century, are inspired by biblical texts and hold a long musical tradition.

Included in the diverse programme is one of Leonard Bernstein’s most acclaimed concert pieces, Chichester Psalms, where he combines the Hebrew and Christian choral tradition.

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In contrast to Bernstein's piece, John Rutter’s cantata, Feel the Spirit, which includes seven well-known traditional spirituals in his distinctive style, will also feature.

The songs shift in mood from Sometimes I Feel Like a Motherless Child's sadness to the victorious tone of When the Saints Go Marching In.

Representing the first half of the twentieth century at the event will be Herbert Howells’ version of Psalm 42, Like as the Hart Desireth the Waterbrooks, composed in 1941, which merges traditional harmonies and rhythms with blues influences.

Adding richness to these compositions are two lyrical settings of sacred texts by Howard Goodall.

His version of Psalm 23 The Lord is My Shepherd, familiar as the theme tune to The Vicar of Dibley, contrasts starkly with Bernstein’s version of the same Psalm.

The director of music for the chorus, Jonathan Brown, said: "We are delighted to be presenting this eclectic programme of sacred music and to be joined by professional musicians together with up-and-coming mezzo-soprano, Chloe Underwood, who will also be performing two solos by composers representing the earlier and later years of the twentieth century.

"It promises to be a moving and joyous occasion."

The concert is set for Saturday, May 18 from 7pm in Great Malvern Priory.

For booking information, visit malvernfestivalchorus.co.uk/our-concerts/.